New Classic

Posted By on July 14, 2005 at 2:08 pm

It seems like it’s not often, these days, that a “war movie” can be made without its characters devolving into introspective weepiness, riddled with self-doubt and prone to questioning the point of the conflict. Either that, or the protagonist is an abominable sort of character.

Master And Commander – The Far Side Of The World has no such problems.

Being something of an enthusiast for the whole “Age of Sail” genre — I grew up reading my Dad’s Hornblower books — I made a point of seeing M&C in the theaters when it came out in late 2003. I was prepared to be disappointed, but I need not have worried. I was hugely impressed, and as soon as the DVD was available, I snapped up a copy. It may be that a better film about war at sea has been made, but if so, I’ve not seen it – and I’ve seen most of them.

Based on the Aubrey/Maturin novels by Patrick O’Brian, and taking its name from the first and tenth books in the series, the movie is a blend of elements of the entire series, rather than just one of the novels put to film. Those familiar with the novels will recognize the general plot outline as being from “The Far Side of the World,” with incidents and dialogue (including a fair amount of humor) taken in pieces from the full range of books and blended into a seamless whole.

Over at Llama Butchers yesterday, Robert had the temerity to criticize the casting of Russell Crowe as Captain Jack Aubrey, calling him “broody and moody.” I beg to differ. By curious coincidence, I had watched the DVD the night before, and suggested in the comments that

Crowe didn’t play Aubrey as originally written (for starters, Aubrey was severely obese….) But more to the point, I can watch the movie over and over, and I never think “that’s Russell Crowe” – he completely subordinates himself to the role.

Having watched it again last night, I’ll stand by that.

Some further observations:

• The movie is rated PG-13 for intense battle sequences, related images, and brief language. The language is in fact very brief. There are plenty of “damns” to go around, but only one very quick interjection of anything harsher; the use is apt, given the context. If someone had stolen two years of my work and burnt my ship, I’d swear, too.

Master and Commander won two Oscars and was nominated for eight others. [Every one of those eight was won by Lord of the Rings: The Return of the King.] The award for cinematography was well-deserved – this film is simply beautiful.

• This is a man’s film, about manliness and duty among men at war. There are no women in the featured cast. A few women appear on screen for a few seconds early on, but they are quickly passed and the film continues.

• The role of Dr. Maturin in the film is primarily that of Aubrey’s conscience; unexplained in the film is that Maturin is more than Aubrey’s best friend, a physician, and a naturalist – he is also an intelligence agent. The character, being a naval neophyte, also occasionally serves a useful purpose when nautical matters need to be explained for the benefit of the viewer, who might not be likely to know what the “weather gage” (for example) might be.

• There is a lot of violence, of course – it’s war on the high seas. Blood, a bit. Lots more gritting-of-teeth than actual gore. Mostly, it’s violent action without a lot of organs and limbs flying about.

• There is some death, of course; this is a war movie. It’s handled very poignantly, however, without the characters getting overly maudlin. Sometimes death cannot be avoided, and may be necessary. After the death of a sailor in an accident that could have been avoided if Aubrey had not been doing his duty as he saw fit, the following exchange takes place:

Aubrey: This is a ship of war, and I will grind whatever grist the mill requires in order to fulfill my duty.
Maturin: Whatever the cost?
Aubrey: Whatever the cost.

• One thing I found particularly impressive was the portrayal of the midshipmen. The film does a astoundingly good job of presenting teenage boys as something other than trash-mouth self-centered whining snivelling little turds. This film should be mandatory viewing for all teenage boys.

• Max Pirkis, as the 12 or 13 year old Midshipman Lord Blakeney, is especially noteworthy. Despite suffering a grievous injury early in the film, his character soldiers on, and in the climactic battle is simply remarkable, demonstrating leadership, initiative and resolve far above the capacity of most people many years older. That Pirkis won two acting awards for his performance is entirely appropriate. That neither of those awards was an Oscar is a shame.

• The musical score is perfect. ‘Nuff said.

Master and Commander is destined in years to come to be looked back at as a classic. If you haven’t seen it, rent it. If you have seen it and don’t own it, buy it.

Terminology

Posted By on July 12, 2005 at 4:07 pm

Eugene Volokh and Jim Lindgren of the Volokh Conspiracy offer critiques of the term “homicide bomber.”
This has irritated me for quite a long while, too.
• “Bomber” by itself implies “homicide,” which makes “homicide bomber” redundant. Are there bombings which aren’t meant to kill people and/or destroy things?
• The distinguishing characteristic of the attacks Fox News (et al.) call “homicide bombings” is the death of the bomber in the act of carrying out the bombing, making the use of the adjective “suicide” both descriptive and accurate when applied to the noun “bomber.”
• Making reporters and news anchors say “homicide bombing” just makes them look stupid.
And now that I think on it, I’ve posted about this before.