Flight 358
Posted By Russ Emerson on August 3, 2005 at 8:08 am
A big jet airliner, 309 souls aboard, crashes on landing and there at no fatalities? None? Not one?
Thankfully, even the plane crashes in Canada are boring.
Musical Find
Posted By Russ Emerson on August 2, 2005 at 5:15 pm
I like to think of myself as a fairly well-educated fellow, as far as the arts are concerned. I’m not an expert of any kind, but I appreciate good music when I hear it, particularly classical music, and I think I have at least a passing familiarity with most of the noteworthy composers.
Every now and then, however, I discover the work of a particular artist or composer I’d never heard (or perhaps simply not noticed) before. One such is Vaughan Williams.
While watching the film Master And Commander I was struck by the quality of the soundtrack, but I assumed that all the music therein was of the period depicted in the film (early 1800s) or was composed specifically for the film. I was surprised, then, to learn that the one piece of music in the film that most caught my attention was in fact composed in 1910.
Vaughan Williams’ Fantasia on a Theme by Thomas Tallis is simply the most stunning “new-found” piece of music I have heard in a very very long time. How it has escaped my attention over the years is a complete mystery to me.
Perhaps adding to the evocative power of the piece is the way in which it was used in the film. At a critical point, the Captain must choose to sacrifice the life of one of his crew in order to save the ship. He acts quickly, but not alone; he enlists the aid of another crewman – the doomed man’s best friend. As death approaches for the unfortunate sailor at the hands of his Captain and of his friend, Vaughan’s Fantasia swells, and is enough to make the viewer forget to breathe.
Yes, it’s that powerful.
Not a believer? Here’s a sound clip: Download file (440Kbytes, 56 seconds – sorry, I had to cut the sample rate down to conserve space. The bass doesn’t come through too well, I’m afraid.)
As chance would have it, after I clipped the sound file last night and before I finished writing this “review,” Esgaroth over at Tributaries posted her take on the matter, complete with some very good links to information on the Fantasia and on Tallis’ original work. It’s well worth checking out.
In the future, I intend to listen to a good deal more of Williams’ work.