One-Hit Oneders

Posted By on December 20, 2005 at 7:36 pm

Suppose you’re a young but solidly established — indeed, award-winning — star in Hollywood who, as many actors are wont to do, would like to direct movies yourself. You have a few TV projects under your belt, but the silver screen is where you’d like to go next. What would you pick for your first film project?
An edgy thriller? A schmaltzy romance? A crime drama? When Tom Hanks directed his first film, we can all be glad it was none of the those, but rather a tribute to the spirit of a time when no dream seemed unattainable.
1996’s That Thing You Do! will not go down in history as a great film, but it deserves to be remembered as a good one — a simple tale told in a straightforward and engaging way, about people just like people we all know, getting a shot at greatness.
In short: an early-60s going-nowhere garage band makes a change, which leads to their song becoming a hit locally, and then nationally. The film follows The Oneders from their humble beginnings in Erie, PA to their peak of success as The Wonders and thence to their ultimate destiny as a group and as individuals.
This isn’t High Art, folks — just the telling of a story. The characters make mistakes big and small, achieve successes big and small, and are variously cruel and kind. You know — just like real people.
Unlike much of real life, however, this movie is almost entirely suitable for family viewing. Very little bad language — none “blue” that I can recall — and no sex or drugs, despite the rock-and-roll.
There’s drama, albeit not terribly heavy. This isn’t a film that requires deep thought; you might be disappointed to find that the most profound point of the movie is that sometimes people use other people for their own ends. Which, come to think of it, is pretty much like real life.
There’s a fair amount of humor as well (much of it inspired by the bands poor initial choice of a name) but it goes by so quickly that it seems to have been included in the movie in order to set a general light-hearted tone rather than to inspire laughs… but I laughed often enough to want to see it over and over.
This is a movie that is simply made to be enjoyed for itself, and I certainly did.
Some notes:

* Tom Hanks, fresh from Forrest Gump and Apollo 13, is the big name on the playbill, but he’s not the lead. The part of Mr. White, the agent, could have been filled by many people. Hanks works so well in the role because when the character has anything to say, you have to pay attention to him — his interjections are often important to understanding where the movie is going.
* The cast rehearsed as a band for weeks before performing on film, though most (if not all) of their performances were dubbed. Nonetheless, the members of the band clearly loved what they were doing. I suppose it could have been good acting, but I don’t think anyone is that good an actor. Seeing the band onstage in their suits, singing and playing their hearts out, the one emotion that came through clearly to me was Joy.
* I don’t imagine the big record labels are much different today than they were in 1964, in the way they treat people.
* Liv Tyler’s role as Faye could have been played up a bit more, but she made good use of the part. There was one point at which Faye becomes ill, and I expected there to be a hard choice to be made along the lines of “if you stick by your girlfriend and get sick yourself, you risk your career.” The setup was there, but the script took a different direction. Tyler, however, did a rather good job for an 18-year-old. Oh, and yeah — she’s totally cute in the part.
* Charlize Theron made one of her first appearances in this film. Brief, and ultimately forgettable.
* The four main cast members have all been working steadily since TTYD, but I don’t think I’ve ever seen any of their other films. Sahara, which co-stars Steve Zahn (guitarist Lenny), is in my NetFlix queue.
* One of the main reasons I wanted to see this film was for the music. I enjoy early-60s music, and got quite a good dose of it in the movie. That none (or very little) of it is authentic product of the 1960s is of little consequence to me. Good is good.
* I wonder if the cast might have thought they were being set up to be a retro version of The Monkees?
* The DVD is nearly devoid of extra features, though it does include music videos for the title song and a second Wonders song, Dance With Me Tonight. Both are quite enjoyable.
* The title song, had it been written and performed by an actual 1964 band, could indeed have propelled that band to stardom. It’s catchy, memorable, and tight — not a wasted note. Funnily enough, the song did indeed propel a band to a certain degree of stardom, more about which later.
I enjoyed That Thing You Do! quite a bit, and though it is not going to go down in film history as a classic, Tom Hanks nevertheless deserves credit for directing this little gem. I highly recommend this movie as an addition to your rental queue or even to your DVD library.

Comments

One Response to “One-Hit Oneders”

  1. Scott says:

    I’ll second the reccomendation. Like you said, this isn’t high art, but it’s a fun ‘turn your brain off and enjoy yourself for an hour and a half’ movie. One which I’ve seen more times than I can keep track of, and still enjoy just as much as the first time I saw it. And it’s got some great lines – I find myself throwing out a ‘Lenny quote’ at least 3 times a week.
    My wife and I just introduced our 9 and 6 year olds to it about a month ago, and they both really enjoyed it, too. I can think of one, rather muted, ‘a hole’ in the film, but can’t think of anything else objectionable.
    All in all, it’s a fun movie with a catchy tune that’s hard to get sick of (good thing, as much as you hear it in the movie), a solid cast, good acting, believable characters, some great lines, a nameless bass player – it’s just an all around good story.
    Five stars